Rhythm Without End, 2021 Design Museum Helsinki. Silver gelatin prints (photograms), Aino Aalto’s 1932 Bolgeblick glass plate manufactured by Iittala, the artist’s photographs of material in the Design Museum’s image archive and collection store; images from the Design Museum image archive. Photos: Paavo Lehtonen.

Mobile Composition, 2020, curated by Andrew Renton for New Viewings, Galerie Barbara Thumm, Berlin. Quilted aniline goatskin.

Eclipse Sequence (Diagram), 2019, HD video, 6’38”

Eclipse Sequence, 2019, HIAP, Helsinki. Aniline goatskin, HD video, mirrors, bookplates from ‘Josef Sudek: The Commercial Photography of Druzstevni Prace’. Photos: Sheung Yiu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mobile Composition, 2017-18, Maison Louis Carré, Bazoches-sur-guyonne, with Association Alvar Aalto, France. Photos: Lucy Dawkins

Deux Lumières, 2017. HD video, 7’19. Filmed at Maison Louis Carré, Bazoches-sur-Guyonne with permission from Association Alvar Aalto en France

Exterior A, 2016. HD video, 6’28. Filmed at Maison Louis Carré, with permission from Association Alvar Aalto en France. Published by the Oxford Artistic and Practice Based Research Platform, Issue 1: Sites of Research http://www.oarplatform.com/the-surface-as-site-exterior-a/

A vase rests on a table, 2016. bookplates, goatskin, gouache on paper

 

 

 

 

 

XYZ, 2015. silkscreen on perspex, galvanised steel, goatskin, gouache painting on giclee prints, Artek wool upholstery. Photos: Ben Westoby

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Sudden Extinction of Light, 2014. silkscreen on goatskin, perspex, galvanised steel. Photos: Sam Drake

      

 

 

 

 

 

 

 

 

 

 

Tavern with Pendant A110, 2014. HD video loop. Filmed with permission at the Alvar Aalto Studio, Helsinki

Studio A (from a Stool 60), 2014. HD video, 10’26. Filmed with permission at the Alvar Aalto Studio, Helsinki

Forum Sequence, 2014. polypropylene carpet, yoga mat, reconstituted stone interpretation of Edouard Marcel Sandoz’s Lapin Une Oreille Levée by Sue Dawes for ARTFORUM. Produced in collaboration with Gemma Weston for Medium, Moana Project Space, Perth. Photos: Casey Ayres

 

 

 

 

 

 

 

 

 

 

 

 

 

Open Cube curated by Adriano Pedrosa, White Cube, Mason’s Yard, London 2013. Photos: Ben Westoby

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Peripheral Orbit, 2013. goatskin rug, steel, silkscreen and oil on canvas, concrete, tuning fork, dog’s toy ball, fashion journal, inkjet transparency prints, stained timber, images from the Freud family archive. Photos: Sam Drake

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

  

 

        

Changing direction after entering at an angle, 2012. oil on canvas, concrete, giclee print, tuning fork, stained timber, steel, Amish quilt. Photos: Joe Clark